Design as research and connection between some areas of the University

Title: Design as research and connection between some areas of the University Gonçalo furtado 1. Research objectives The aim of this research and communication is to reflect on drawing as research and a link between some areas of the university. / The term desenhar comes from the Italian word “disegno”, to designate and give a name. In other words, to know. To better understand the world around us, our relationship with it, and even ourselves. / Attending the architecture course at FAUP requires taking drawing courses in the 1st and 2nd year. I learned drawing by attending these classes, which I think were taught respectively by the painter Professor Joaquim Vieira and the sculptor Alberto Carneiro. As teachers of practical classes, in 1993/94, I was taught by the sculptor José Grade, and in 1994-95 by the designer Francisco Providência. / Drawing. 2. Methodology The proposed methodology is both theoretical and practical. / In fact, once the course is over, architects can use drawing for representation and research. In the case of architecture teachers, drawing can also be used as a means of investigating an expanded field, which is what architecture can be. An instrument and practice of re-presentation - making present, in a new form, now rediscovered. / Personally, over the years, I have enjoyed experiences that have not failed to comprise relationships between the fields of architecture and the arts. Some have included collaborations, as a professor at FAUP with people from FBAUP, etc. In particular, collaborations with Graciela Machado, around events such as “Shelter” (Galeria dos Leões), Print (FBAUP-FAUP), Atelier Nomade (FBAUP-FIMS). There will also be references to events with other professionals and institutions, for example with the “Casa da esquina” association (Coimbra), with the Júlio Resende Foundation (co-authored with Ricardo Martins), or with the “Risco tudo” cycle of exhibitions (FAUP drawing group). / 3. Contributions. In short, within the scope of this communication, we will be interested in promoting a reflection on drawing, based on the experiences/cases/examples mentioned, seeing drawing as a means of research and connection between disciplines and areas inside and outside the University. / 4 . CV_ Gonçalo Furtado, PhD He attended short courses at the Gallaecia School in Vila Nova de Cerveira, Lusíada and CAPC, and at the Institute for Advanced Studies in Architecture in Venice, as well as the 1st year of the School of Artistic Technologies in Coimbra. / He has a degree from the Faculty of Architecture of the University of Porto, a Master's degree from the Poitécnica University of Catalonia and a PhD from the University College of London. / Recipient of the “Florêncio de Carvalho Award”, “Kybernetes Research Award”, “Outstading scholar contribution award”, as well as grants from FCT and FLB. He was short-listed for international competitions for head of architecture schools at Iowa University and Clemson University. / He has been a member of the commissioning, editorial or scientific committees of events and magazines such as: “Unidade 5”, “Anuária 1 and 2”, “Arquitectura: prosthesis of the body“, ‘Architecture and information society’, ‘Exhibit of sciences, teaching, practices and innovation’, ‘Multiple perceptions’ session, ‘Nada’, ‘Tracing Portugal’, ‘Contemporary architectural challenges’, ‘Cedric Price's generator’, Gordon Pask on scinces and arts”, “Radical designist”, “Contemporary architectural challenge”, “Tribute to Fernando Lisboa”, “Pure print”, “Interacção 2010”, “Mnemosine, session ‘Systems research’/Nexus, Arq/a, BAc, ‘Environmental challenges’-EUGLOH, Workshop ‘Architecture for life’, ‘Sebentas d'arquitectura’, Colloquia ‘IJUP’, Jury or evaluator/reviewer for “ACSA” in Helsinki, “Paris Gallery Coverage”, “Léxico”, “BIIC”, “Intreação 2010”, “ECAADe-SIGradi”-Porto, UD 18, “Porto Bristol Association Prize”, “Equivalence Commission”-FAUP, “Over 23”, “Re-entry and change”, FAUP-“Archiprix” pre-selection, “IJUP”-logotype, “Design Complex geometries”, “EUGLOH: IIIrd ASRC", ‘Transcontinentalities’, ‘Open classes-Theory 1’, Unit 19 and Unit 20 crits at the Bartlett. / He has designed or co-directed sessions at “Corpo enquadrado”/Fundação de Serralves, “Multiple scales”-Experimenta Design, Workshop “Architecture 4 life”, “Espaço, escrita e pensamento”-FIMS, “Coimbra sketches”. / He was coordinator of the 2nd year teaching committee - FAUP, and is a member of the Young Research Committee of the University of Porto, and of the “DFL” of the Center for Studies in Architecture and Urbanism-FAUP. / He has taught courses or given workshops or one-off classes at the MIArq and PDA of FAUP, DeMSSO-RUP, ESAD, FEUP, IADE, ETSAB, Eizava, PEI-Universidad Javeriana, Universidad Caxias do Sul, Universidad La Sallee, (In)dex-Lusíada. / Author or co-editor of books or catalogs such as “Notes on the space of digital technique”, “Arquitectura: Prótese do corpo”, “O corpo no espaço da técnica digital”, “Architecture and information society”, “Marcos Cruz: Unpredictable flesh”, “Off fórum: Postindustrial global city and repressed marginal design discourses”, “Behind the pencil: Or the construction of the critical project”, “Interferências: Conformation implementation and the future of digital culture“, ‘Architecture: Body and machine’, ‘Generator and Beyond’, ‘Cedric Price's generator and the Frazers’ collection”, Contemporary architectural challenges, “Gordon Pask on science and art”, Pask's encounters: From childhood curiosity to the envisioning of an evolving environment: Exchanges between cybernetics and architecture", ‘Mnemosyne’, ‘The survival of the post-industrial city: Reds flows, bits and creativity’, ‘America’, ‘Europe: Portugal: Coimbra (2011-2021)’, ”Spatialization of art and the artist: António Azenha", ‘Escola do Porto: Notas dispersas’, ‘Napkins 2011-2021’, ‘Napkins (Napkins)’, ‘NapkinsII’, ‘Africa, nature and people’, ‘America, utopias and transitoriness’, ‘On Portuguese architecture and Escola do Porto’, ‘Trajectos, pensamento em arquitectura’. / He was the author or co-author of projects or productions such as: “Casa F. Brenha”, “Escultura urbana”, “Mobiliário P. Furtado”, “Stand Queima das fitas AFAUP”, “Mãe de água”, “Scafolding”, “Explode”, “Máquina de cena J. Providência“, ‘Galeria Baú’, ‘Bergas dark’, ‘Design ’Espiga”, “Deriva urbana”, “Mobiliário Pandemia”, “Troféu Turismo e Casino”, “Clínica Veterinária”, “Kastigo dark”, “Stand Feira de Artesanato”, “Mobiliário P. Pessoa", ‘Casa P. Pessoa’, ‘Fachada na Galeria do Casino’, ‘Quartyard’, ‘Cibercafé’, ‘Seguradora’, ‘Termo-vidro’, ‘Barco P. Pinho’, ‘Atelier P. Ruiz’, ‘Farmácia do Castelo’, ”Casa A. Ruiz“, ‘Contra-corrente’, ‘Cápsula’, installation ‘Urbanlab 2001’, ‘Favos’, ‘Furniture F’, ‘Clínica do sono’, proposals ‘CMIA-Coimbra/Guarda/Vila Real, ’Loft D. Horak”, “Loft M. Brigham”, installation “Tracing”. Brigham“, installation ‘Tracing Portugal’, installation ‘Off fórum’, ‘G's Japan Net’, ‘Apartamento Oyaga e Jerez’, ‘Temporary Shelter’, Modules ‘PP99’, studies ‘Casa Teresa’/”J.Tropical“, ‘Misé’, ‘Brenha’/”Folharido“/”C.Neto“/”Costa de Lavos", sculpture ‘Ceci n'est pas’ (with P. Flores), Coleco. / As an author or co-author, he has held individual or collective exhibitions, etc., such as: “Bienal de Artes das Caldas da Rainha”, “500 anos Cristovão Colombo”, “Casa do pessoal-UC”, “Fimagem”, “Anuária 95”, “Off-Mubi-UBI”, “Anuária 99”, “Deriva urbana (desenho)”, “Mute 1996-2000”-Galeria Extéril, “Artistic creation Interctivities”, Maus hábitos, Metroom Gallery, FAUP, “Inéditos 2005” and “Proyectos expositivos de creación artística actual”, “Idea: Re", at ‘Shelter’- Galeria dos Leões, at ”Menemoisine, at “Arte em segredo”, at Centro de artes e espetáculos de Sever do Vouga, at “Quem dá mais”, at E.S. Infanta Dona Maria, at “Redshoes”, at ESAC, at “Coimbra sketches”, at “Camponeza”, at “Book-hop: IV Artist book exhibition”, at “Grémio Operário de Coimbra”, at “Loja 0”, at América-Extéril, at Leilões AEFAUP, at Coola-Boola, at “Archallenge”, at APBC-TiErmelinda, at “Casadaesquina”, at “Conservatório Calouste Gulbenkian”, at “Galeria Note”. /